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In chance or aleatory music the composer

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Essay , Heian period , Japan 1371 Words | 4 Pages. trying to Essay about of Mass Distraction know everyone in the class. Or Aleatory. After that here comes the big turn, homework and Essay about Vision: Weapons writing essays . Music The Composer. I have never written an grade 11 economics . essay in my life while I was living in or aleatory music the composer, India. Woman. It was really hard for me to write down our thought on music the composer, the given assignment. My English is not good and grammar is worse. Analysis Essay. I was really afraid of writing, I didnt want to tell anyone. I missed my first essay due date and even second essay due date. After some days Mrs. Danielo called me in her office during office hours. She told.

Academic term , College , Essay 1524 Words | 4 Pages. symbols which can be understood and manipulated by or aleatory music, someone who is culturally literate. Second, being literate can mean having knowledge or competence. For . example, we speak of people being computer literate or politically literate. For your first essay , try to focus on a moment or a period in your life when you realized the significance of being literate in Essay examples, this fashion. Did you have trouble using a computer to register for classes? Did you fit into a subculture because you learned to speak its. Essay , Knowledge , Literacy 1120 Words | 4 Pages. stories, news articles, and especially essays begin with good hooks because a writer is in chance or aleatory music the composer, often judged within the first few sentences. Just as . the news tries to stimulate our fears by Inclusion, announcing a danger in in chance the composer, our water supply, a writer must try to bring the reader from his or her world into the world of the essay . This is done with a few choice words at the beginning of the essay : the of law and order, infamous hook.

It is not easy to think of how to make someone want to read an music the composer essay about a novel. Its not even easy to. Essay , Good and evil , Human 609 Words | 3 Pages. Essays are generally scholarly pieces of writing written from an author's personal point of view, but the definition is dreiser sister, vague, overlapping with . those of an article, a pamphlet and a short story. Music. Essays can consist of a number of elements, including: literary criticism, political manifestos, learned arguments, observations of Inclusion daily life, recollections, and reflections of the in chance or aleatory the composer, author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g. Alexander Pope's. Alexander Pope , Essay , Essays 1053 Words | 4 Pages. at Upgrade | Hi Iamsiddha.

Get Access to - Complete Your Registration Now. StudyMode - Premium and Free Essays , . Term Papers Book Notes Essays Book Notes AP Notes Citation Generator More Essay On Eye Donation Wikipedia Essays and woman of law Term Papers Search Advanced Search Documents 1 - 20 of 47 Laser Eye Surgery Research essay Laser eye surgery Laser eye surgery The eye is the organ of or aleatory sight. It is used in Psychology Essay, almost everything we do, from playing sport to reading. Critical theory , Essay , Essays 1151 Words | 6 Pages. |Earned Points | |Content (40) |40 . | | | |* The essay addresses all areas of the essay assignment thoroughly. | | | |* Content includes excellent details. | . Clear , Clearing , Description 362 Words | 3 Pages. Buscemi Essay #3 Rough Draft An essay is a creative written piece in which the the composer, author uses different styles such as . diction, tone, pathos, ethos or logos to communicate a message to the reader using either a personal experience, filled with morals and parables, or a informative text filled with educational terms. Inclusion Examples. Educational terms could mean the usage of complicated and elevated words or simply information you would get in schools.

Some authors, such as Cynthia Ozick, claim that an essay has no. Essay , Essays , Rhetoric 1439 Words | 4 Pages. ?Practice Essay This writing exercise will help your instructor discover who you are as a writer. Music The Composer. The essay will be used to . help you identify your strengths and sister carrie weaknesses as a writer, and it wil allow the in chance, instructor the opportunity to identify grammatical, stylistic, and mechanical problems specific to each student. Grade. Do not fret over music, the idea that grammar, style, and about The Huxley Vision: of Mass mechanics will be evaluated in this assignment. In Chance Music. This writing exercise is analysis example, merely one way to take a look at any particular patterns. Academia , Composition studies , Essay 1153 Words | 4 Pages. There will be two long (30-minute) essays on the composer, the College Board AP Art History Exam.

In each case, you will have to compare two works of art of . your own choosing. One essay will require that you include an artwork from woman, outside the European tradition in your selection. Choosing Works to Compare. It is important to select appropriate works that will allow for thoughtful comparison and contrast. You might want to take note of or aleatory music the composer works that relate to some of the themes discussed earlier so that you have. Art , Art critic , Essay 1976 Words | 6 Pages. Narrative Essay Vs.

Descriptive Essay. ? Narrative Essays Are a Great Read Name ENG121 Professor June 16, 2014 Narrative Essays Are a . Great Read Narrative essays and Descriptive essays can be similar but they are different in nature. The narrative essay I Want a Wife is dreiser, more compelling than the descriptive essay Homeless because the narrative essay has a point of view, uses humor and satire, and uses tone and language that can draw the reader in. Narration is storytelling from the perspective of. Essay , Essays , Homelessness 1604 Words | 7 Pages. Descriptive Writing Afro Asian Essay Example Essay 81 - 100 . /descriptive-writing-afro-asian- essay -example-pa. Music. ? * 20+ items - Free Essay about 11 economics, Descriptive Writing Afro Asian Essay Example . question you essay may require -starting point transistor and in chance or aleatory the composer ending condition . And Order. time, and a cup of coffee you should have no problem. There are many . In Chance Or Aleatory The Composer. 2. Example. Afro-Asian Literature - Essay - Warriorjamboy1 - Essays Military ? * . Afro-Asian , Essay , Expository writing 1436 Words | 6 Pages. result of introspection into past experiences or memorable events in our lives. We introspect into in chance music the composer these memorable events and theme essay reflect over music the composer, them with . regards the emotions and The Huxley Vision: Weapons of Mass Distraction influences they have left in in chance music the composer, our lives.

In simple words a reflective essay is a piece of you being presented in words. What is Reflection? In a reflective composition you really need to theme think about yourself and how a particular personal experience changed you. In Chance Music The Composer. It is not merely a recollection of Biological your experience but. Emotion , Essay , Essays 1498 Words | 5 Pages. understand most styles of writing and I enthusiastically grasp the text with an eagerness to understand and the composer relate to it. I enjoyed gathering research for . essays and try to explain them to my audience. Grade 11 Economics. Curiosity leads me to find out more about the authors, the time periods in which they wrote, and the social conditions from which they endured.

These essays demonstrate my strengths by showing that I am not satisfied with taking work for or aleatory the composer what it is worth after I read it a first time. I know that not everything. Essay , Essays , Short story 914 Words | 3 Pages. Edith Cowan University Academic essay Academic Tip Sheet This academic tip sheet: What is an academic essay ? explains the . academic essay as an academic style of writing; looks at Essay, the structure of an academic essay ; looks at in chance, the main types of academic essays ; explains how to analysis essay write an academic essay ; and or aleatory provides you with a quick checklist that covers most aspects of writing an academic essay . Psychology Essay. For our purposes, we can define an academic essay as a document that has a defined structure. Essay , Writing 1070 Words | 2 Pages. Jun.

17, 2013 ESSAY WRITING ESSAY . A short literary composition of an analytical, interpretive, or reflective kind, dealing with its subject in a non-technical, limited, often unsystematic way and, usually expressive of the authors outlook and personality. - An attempt. In Chance. TYPES OF ESSAYS Personal Describes how you feel about someone or something. YOU are at carrie, the center . . Article , Essay , Essays 622 Words | 3 Pages. Exemplification Essay Exemplification means to in chance or aleatory music the composer provide examples about something. Woman And Order. Writing an exemplification essay typically . In Chance The Composer. involves offering many examples to Inclusion examples support a generalization about something. In this type of essay , examples act as supporting material to explain or clarify the generalization. An exemplification essay (or illustrative essay ) uses examples to show, explain, or prove a point or argument (the essay thesis).

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Essay , Sentence 616 Words | 4 Pages. Free Essays , Term Papers, Research Paper, and Book Report Free essays , research papers, term papers, and of law and order other writings on . literature, science, history, politics, and more. Search Essays - Argumentative Essays - Abortion - FAQs Free Essays Free Essays 1 - 20 - Free Essays on Free Essays for students. Use our papers to help you with yours 1 - 20. subjects/free-ess. All Free Essays - Term Papers, Book Reports, Research Papers. David Foster Wallace , Essay , Essays 270 Words | 3 Pages. Wind essay by Verlyn Klinkenborg and then answer the following questions: 1. . Explain how the author describes the wind in three sentences? Provide one quote from the essay . 2. Copy down at least three descriptions that connect to in chance or aleatory the composer at least three of the following senses: a. visual b. taste c. hearing d. touch e. smell 3. Write down the authors main point. Actually copy his main point from the essay so I.

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Dot-com bubble , Essay , Essays 2405 Words | 7 Pages. Essay Writing By: Agha Zohaib Khan Introduction to Essay Writing ? What is Essay ? The Word . Essay means to Attempt. ? Definition Essay is an in chance attempt to dreiser carrie compose the relevant ideas in correct, concise, comprehensive and concrete way. Music. ? ? Essay is just a literary composition of any given Topic Essay cannot be attractive unless you do not give lightness, grace and ease. 2 Agha Zohaib Khan . Selecting The Topic for Essay ? There will be two types of. 2005 albums , Essay , Foreign policy 974 Words | 7 Pages. GRADE 12 UNIVERSITY ENGLISH Unit 2: Comparative Essay Writing Summative Task Task: Select a particular idea or theme and/or an aspect of . form and style and analyse the way it or they is/are depicted in Archibald Lampmans poem, In November and analysis one other poem. You may use: William Wordsworths The World is too much With Us, Robert Frosts Dust of Snow E.J Pratts A November Landscape Mary Soutar-Hynes For Writers Whose Work I Have Loved In completing. Doctor of Philosophy , Essay , Logic 1073 Words | 7 Pages. ? The purpose of in chance the composer a literary analysis essay is to carefully examine and sometimes evaluate a work of literature or an aspect of a work of . literature. As with any analysis, this requires you to break the subject down into its component parts.

Examining the grade, different elements of a piece of literature is not an end in itself but rather a process to help you better appreciate and understand the work of literature as a whole. For instance, an analysis of in chance or aleatory music a poem might deal with the different types of. Essay , Greek loanwords , Literature 1348 Words | 4 Pages. ?A Quick Note Before You Begin Argumentative essays are also commonly known as persuasive essays . However, there are some . Examples. differences between the two even if theyre commonly considered to in chance the composer be the same. Persuasive essays are short, around five to six paragraphs. They usually focus on your side with occasionally one paragraph devoted to Weapons Distraction the opposing side. In Chance Or Aleatory. Persuasive essays focus more on the emotions of the reader.

Argumentative essays are usually longer in length, ranging from as little as five paragraphs. Conclusion , Debut albums , Essay 863 Words | 4 Pages. 081 Compare and Contrast Essay 3 What is comparison? What is contrast? To compare means to point out similarities and to contrast means to . point our differences. When you compare or contrast, you need to come to some conclusion. Inclusion. Its not enough to say These two things are similar or They are different. Your reader will be asking So what?

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personal narrative essay . 11 Economics. This assignment was one of or aleatory the composer great ease to me. I sat down and Biological Psychology Essay immediately came up with an idea centered on a memory . or experience. In Chance Music. Once I pinpointed that experience, I began the brainstorming process, followed by of law and order, a rough draft, and then a solid final draft. The only in chance music the composer, struggle happened when I began trying to expand the short narrative into Essay The Huxley Vision: Weapons Distraction a full length essay , as required. After a considerable amount of time attempting to tweak and music expand on Inclusion Essay, the first essay , I finally understood. Essay , Essays , Paper 1398 Words | 4 Pages. 4 Steps to an Effective Scholarship Essay Typically speaking, the scholarship essays which students turn in are, well, to or aleatory put it . mildly, not that good. I'm going to Essay examples generalize, but you should know this.

They're typically boring, underdeveloped without sufficient details, and very unpersuasive. In Chance Music The Composer. Remember, the scholarship essay is a piece of persuasion. The people reviewing your essay will be going through a bunch of applications, and you need to distinguish yourself. Analysis. You need to or aleatory music the composer make the reader care. English-language films , Essay , Essays 1357 Words | 4 Pages.

?Writing Essays Always begin with an essay plan. You will find that this really helps to organise your thoughts. And Order. This should . include your initial reaction to in chance or aleatory the essay title, your basic ideas and thoughts and essay some quotations you want to music use. You may find that you do not stick completely to your plan and this is okay, as the example, more you think about an essay your ideas will evolve and change. You should, however, have formed your ideas and opinions before you start writing. In planning your essay. Critical thinking , Essay , Essays 1062 Words | 3 Pages. paragraphs and in chance or aleatory also has a certain intriguing appeal - it arouses the reader's curiosity and impels him to Biological read further.

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An Essay is a piece of writing which is often written from an author's personal point of view. Essays can consist of a number of . In Chance Music. elements, including: literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and 11 economics reflections of the author. The definition of an essay is music, vague, overlapping with those of an article and a short story. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g. Alexander Pope's An Essay on.

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No points are awarded if the task is not complete. Category Scoring Criteria Points Student Evaluation Self Peer Teacher Evaluation Introduction 20 points A thesis statement makes the purpose of the essay clear. (Thesis.

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essay on the wire Jason Mittell calls David Simons bluff: to or aleatory the composer, what degree is The Wire really like a televised novel? To what degree is it more like a video game? Why not classify it as what it really is - a genre-spawning masterpiece in the medium of television. The Wire (2002-2008) is paradigmatic of a critical darling - few people watch it (at least in the numbers typical of commercial television), but it generates adoration and evangelism by nearly all who do. Television critics have taken it on themselves to lobby their readers to give the show a chance, asking reluctant viewers to Inclusion Essay examples, overlook its dark and in chance or aleatory music cynical worldview to see the truth and beauty offered by its searing vision into the bleak heart of the U.S. city. Thankfully for us scattered fans, HBO has allowed the show to sister carrie, continue for five seasons, even without a clear sense that the in chance or aleatory music the composer shows dedicated fandom leads to overt profitability. This chapter was composed in the interim between seasons four and five, and thus only refers to Inclusion Essay examples, the shows first four seasons. The author would like to thank the readers of music his blog, Just TV, for the thoughtful feedback posted about a draft of this chapter as well as the essay comments by this volumes editors.

What is most interesting to me about the critical praise deservedly lavished on The Wire is not how it may or may not yield an increase in viewership but how the critical consensus seems to situate the show distinctly within the frame of another medium. For many critics, bloggers, fans, and even creator David Simon himself, The Wire is music the composer best understood not as a television series but as a visual novel. As a television scholar, this cross-media metaphor bristles - not because I dont like novels but because I love television. And I believe that television at theme example its best shouldnt be understood simply as emulating another older and more culturally valued medium. The Wire is a masterpiece of television, not a novel that happens to or aleatory music, be televised, and thus should be understood, analyzed, and celebrated on woman of law its own mediums terms. Yet thinking comparatively across media can be quite rewarding as a critical exercise, illuminating what makes a particular medium distinctive, and how its norms and assumptions might be rethought. So before considering how the show operates televisually, what does thinking of The Wire as a novel teach us about the show? And might other cross-media metaphors yield other insights?

The Wire s novelistic qualities are most directly linked to in chance the composer, its storytelling structure and ambitions. As Simon attests in frequent interviews and dreiser sister carrie commentary tracks, he is looking to tell a large sweeping story that has traditionally been the purview of the novel, at least within the realm of culturally legitimate formats. The Composer! He highlights how each season offers its own structural integrity, much like a specific book within a larger epic novel, and each episode stands as a distinct chapter in essay example that book. The model, modestly left unspoken, might be War and Peace , a vast narrative containing fifteen books, each subdivided into at least a dozen chapters and released serially over five years - Simon has less modestly mentioned Moby-Dick as another point of comparison, although that epic novel was neither serialized nor subdivided into in chance, books. In The Wire , each season focuses on grade 11 economics a particular facet of Baltimore and slowly builds into a cohesive whole. An episode typically does not follow the self-contained logic of most television programming, as story lines are introduced gradually and major characters might take weeks to appear. Novelistic is an apt term for describing this storytelling structure, as we rarely dive into a novel expecting the first chapter to typify the whole work as a television pilot is designed to in chance or aleatory music the composer, do. Simon emphasizes how the show requires patience to allow stories to build and themes to accrue - a mode of engagement he suggests is more typical of reading than viewing.

Enhancing the shows novelistic claims is the presence of well-regarded crime fiction writers like George Pelecanos, Richard Price, and Dennis Lehane on grade 11 economics the staff, and Prices novel Clockers is surely an influence with its dual focus on a criminal and a cop in the urban drug war. This parallel to the novel brings with it not just an imagined structure and in chance or aleatory music the composer scope but a host of assumed cultural values as well. While the novels history in theme analysis the eighteenth and nineteenth centuries featured numerous contestations over the composer, the forms aesthetic and grade 11 economics cultural merits, by the time television emerged in the mid-twentieth century, the literary novels cultural role was firmly ensconced as one of the most elite and privileged storytelling formats. As the most popular and or aleatory culturally influential form of storytelling, television has usurped the role that the early novel played as a lowbrow mass medium threatening to dreiser sister carrie, corrupt its readers and demean cultural standards. By asserting The Wire as a televised novel, Simon and critics are attempting to legitimize and validate the demeaned television medium by linking it to the highbrow cultural sphere of literature. The phrase televised novel functions as an in chance or aleatory, oxymoron in its assumed cultural values, much like the term soap opera juxtaposes the extremities of art and commerce into a cultural contradiction. For The Wire , especially in its context of HBOs slogan Its Not TV, Its HBO, the link to the novel rescues the of law and order show from the stigmas of in chance music the composer its televised form, raising it above the commercialized swamp of ephemera imagined by many as typical television. But I would contend that emphasizing the literary facets of The Wire obscures many of its virtues and qualities, setting it up to fail when measured by some of the aesthetic aims of the novel. While any form as diverse as the novel cannot be firmly defined as dependent on any singular theme or formal quality, we can point to some key features common to many novels that The Wire seems not to share. Novels typically probe the interior lives of their characters, both through plots that center on Essay character growth and transformations, and music through the scope of narration that accesses characters thoughts and beliefs. Even novels about a broad range of people and institutions often ground their vision of the world through the Inclusion Essay examples experiences of one or two central characters who transform through the narrative drive - for instance, a Charles Dickens novel like Bleak House examines institutions like the legal system, but does so primarily through the experiences and perspective of a central character.

These features of characterization and interiority are certainly not unique to novels, and probably apply to many television series as well, but if The Wire is held as exemplar of the televised novel, we would assume that it shares the novels core treatment of character, which I believe it does not. Simon has suggested that The Wire is in chance or aleatory music the composer a show about the relationship between individuals and institutions - a claim that the program seems to essay example, uphold. But I would argue that the point of emphasis is in chance or aleatory much more clearly on institutions rather than individuals, as within each of the social systems that the woman and order show explores - the police, the drug trade, the docks, city government, and the educational system - the institution is brought into focus through the lens of numerous characters. Certainly Jimmy McNulty is a central point of access to or aleatory, understand police bureaucracy and functions nominally as the shows main character, but by Inclusion Essay, season four he is in the margins while characters like Cedric Daniels, Bunny Colvin, and Bunk Moreland provide alternate entry points to explore the police system. Likewise, we experience the drug trade through a range of or aleatory music the composer characters from DAngelo Barksdale to dreiser, Stringer Bell, Omar Little to in chance or aleatory music, Bodie Broadus.

While all of these characters have depth and complexity, we rarely see much of 11 economics their existence beyond how they fit into their institutional roles. In Chance Or Aleatory Music The Composer! Even romantic relationships seem to foreground interinstitutional links between police, lawyers, and politicians more than interpersonal bonds that deepen characters inner lives and motivations. The chronic alcoholism and infidelity of The Wire s police officers offers a portrait less of flawed personalities than of dreiser carrie a flawed institution; for instance, the police admire the or aleatory music systematic discipline and coordination of Barksdales crew, which is distinctly lacking in the Baltimore Police Department. This is not to suggest that characters in The Wire are flat or merely cardboard cutouts enacting a social simulation. One of the shows most masterful features is its ability to create achingly human characters out of the tiniest moments and Inclusion subtle gestures, such as Lester Freamon silently sanding doll furniture, DAngelo Barksdale picking out his clothes, or Bubbles walking through Hamsterdam in a daze trying to find himself.

But the way The Wire portrays its characters seems distinctly not novelistic: we get no internal monologues or speeches articulating characters deep thoughts, and few senses of deep character goals or transformations motivating the or aleatory dramatic actions. Grade! Character depth is conveyed through the texture of everyday life on the job - a set of in chance the composer operating systems that work to dehumanize the characters at nearly every turn. As Simon notes, The Wire has resisted the idea that, in Inclusion examples this post-modern America, individuals triumph over institutions. In Chance Or Aleatory The Composer! The institution is always bigger. Essay! It doesnt tolerate that degree of individuality on any level for any length of or aleatory the composer time. These moments of epic characterization are inherently false. Theyre all rooted in, like, old Westerns or something. Guy rides into town, cleans up the woman of law and order town, rides out of town. Theres no cleaning it up anymore. Theres no riding in, theres no riding out.

The town is what it is. (Quoted in Mills 2007) In the shows character logic, the institution is the defining element in a characters life, externalized through practices, behaviors, and choices that deny individuality and agency - a storytelling structure that seems contrary to principles typical of most literary novels. There are clearly aspects of the in chance music novel that have inspired The Wire - the 11 economics sweeping storytelling scope, the attention to details of systems and characters, and the social issue probing of works like The Jungle . Additionally, literary developments in recent decades have opened up the formal and or aleatory music stylistic possibilities of the genre, and thus there are certainly fictional trends that The Wire taps into. Ultimately, however, I contend that we should view The Wire using the Essay The Huxley Vision: Weapons of Mass Distraction lens of its actual medium of television to in chance or aleatory music, best understand and appreciate its achievements and importance. But viewing a text through the expectations and assumptions of another form can help us understand its particular cultural logic. Might other media metaphors be similarly useful, within limits, to help unravel The Wire ? Surely journalism and documentary would be apt comparisons, with Simons roots as a newspaperman and investment in Biological Essay creative nonfiction. Yet I would like to suggest that it might be useful to view the program using the lens of a seemingly off-base medium, and hence offer a brief detour to answer an unlikely question: How might we conceive of The Wire as a video game? Let me preemptively acknowledge one significant limitation here: watching The Wire is not interactive, at least in the explicit mode that Eric Zimmerman (2004, 158) argues typifies games.

But then again, watching a game like baseball is also noninteractive - despite my ritualized efforts to superstitiously trigger my teams good fortune via carefully chosen clothing, gestures, and or aleatory behaviors, I have failed to alter the outcome of The Huxley Weapons any Red Sox game (at least as far as I know). In thinking about a filmed series like The Wire as a game, we need to think of the ludic elements within the shows diegesis, not the or aleatory the composer interactive play that we expect when booting up a video game. Thus The Wire might be thought of as a spectatorial game, being played on-screen for 11 economics the benefit of an audience. Games certainly play a more crucial role within The Wire s storyworld than literature does, as its characters hardly ever seem to read, but can regularly be seen playing craps or golf, watching basketball or dogfighting. More centrally, nearly every episode has at or aleatory the composer least one reference to the game, a slang term for the urban drug trade that extends to all of the shows institutional settings. Within the dreiser carrie shows portrait of or aleatory music the composer Baltimore, the game is played in all venues - the corners, City Hall, the police station, and the union hall - and by a range of players - street-level junkies looking to score, corrupt politicians filling campaign coffers, cops bucking for promotion, stevedores trying to maintain the Biological docks. The game is the overarching metaphor for urban struggle, as everyone must play or get played - as Marla Daniels tries to warn her husband, Cedric, The game is rigged - you cant lose if you dont play (episode 1.2). Sometimes characters are playing the same game, as the chase between the cops and Barksdales crew develops into or aleatory music the composer, a series of moves and countermoves, but some institutions engage in a different game altogether - in season one, the cops go to the FBI for help busting Barksdales drug and money-laundering system, but the Inclusion Essay feds are only playing the terrorism and political corruption game. Ultimately, Bell is or aleatory the composer brought down by trying to play two games at once, and gets caught when the rules of the drug game conflict with the corporate political game.

Simon has suggested that the shows goal is to portray systems and institutions and grade 11 economics be honest with ourselves and music the composer viewers about The Huxley Vision: Weapons of Mass Distraction, how complex these problems are (quoted in Zurawik 2006). In Chance Or Aleatory Music! While Simon imagines that the analysis essay televised novel is the form best suited to accomplish such goals, in todays media environment, video games are the go-to medium for portraying complex systems. As Janet Murray writes, The more we see life in terms of systems, the more we need a system-modeling medium to represent it - and in chance music the composer the less we can dismiss such organized rule systems as mere games (quoted in Moulthrop 2004, 64). Analysis Essay Example! If novels typically foreground characterization and interiority in ways that The Wire seems to deny, video games highlight the complexity of interrelated systems and institutions that is one of the shows strengths. Many video games are predicated on the logic of simulating complex systems, modeling an interrelated set of practices and protocols to or aleatory, explore how one choice ripples through an and order, immersive world. Ian Bogost (2006, 98) defines a simulation as a representation of or aleatory music a source system via a less complex system that informs the users understanding of the source system in a subjective way - a formulation that certainly captures the essence of about The Huxley Vision: Weapons of Mass Distraction The Wire as a dramatic distillation of Baltimores institutional systems viewed through the critical perspective of Simon and his cowriters. We might imagine the show as a televisual adaptation of Will Wrights landmark game SimCity (1989): an array of systems are dramatized, each with changing variables that ripple across the larger simulation model in unpredictable and often counterintuitive ways. SimCity functions as a God game at a macrolevel of control over the microdecisions of urban existence.

But The Wire dramatizes its institutions more through the the composer actions of characters in Inclusion Essay examples relation to the institution, blending the urban scope of SimCity with the personal focus typifying The Sims (2000), Wrights most popular iteration of the simulation game genre. Bogost analyzes the in chance music cellular structure of Essay The Huxley Vision: of Mass simulations, with units operating in microcontexts coalescing to create broader emergent systems. Such is often the case in The Wire s Baltimore; in the first episode, for instance, a chance violent encounter between Johnny Weeks and Bodie leads Bubbles to in chance the composer, seek revenge on Barksdales organization, a small-scale unit operation that leads to major institutional transformations for Essay The Huxley Weapons of Mass both the police and drug dealers. Such small occurrences and changes at the levels of both character and in chance or aleatory music institution are followed throughout the series to grade 11 economics, model how institutions operate and infiltrate the lives of their employees and members - a mode of or aleatory music representation blending the woman and order logics of in chance music SimCity and The Sims . One of the central elements of games, especially those centered on simulations, is 11 economics replayability; for a game to be embraced by or aleatory music, its players, it typically must allow enough experiential variation to examples, invite multiple passes through its ludic journey. Or Aleatory! Instead of viewing each of The Wire s seasons as a singular book within an epic novel, we could view them as one play through its simulation game. In the first season, we walk through the polices attempt to take down Barksdales drug operation, concluding seemingly in a checkmate scene where Avon Barksdale and Stringer Bell yield to 11 economics, the polices final moves (1.12). Yet rather than game over, the move results in a stalemate that no players deem victorious - a few criminals get sentenced, but the Barksdale machine remains intact.

Season three offers a replay with some changed variables and in chance or aleatory music the composer strategies for Biological all sides: What if drugs are decriminalized? What if the drug trade goes legit through a conglomerated co-op rather than violent competition? What if a former soldier repents and in chance or aleatory music the composer tries to give back to his community? Given the shows cynical vision of corrupt institutions, reform typically produces various forms of failure, as the parameters of the system are too locked in to truly produce social change or allow for an imagined solution to systemic problems; as Pryzbylewski notes in a later episode, referencing football but also his own lifes work, No one wins - one side just loses more slowly (4.4). Yet the and order ludic joy of the third season is the ability to in chance, replay the first seasons narrative through the imagination of new rules and dreiser sister carrie ways to play the game - a mode of engagement offered with less imaginative vision and in chance or aleatory music the composer more amoral brutality in season fours replay of the dreiser sister carrie drug game under the leadership of Marlo Stanfield.

The characters in The Wire , while quite human and multidimensional, are as narrowly defined in their possibilities as typical video game avatars. They each do what they do because that is the way the game is played - Bubbles cant get clean, McNulty cant follow orders, Avon cant stop fighting for his corners, and in chance Frank Sobotka cant let go of the glory days of the docks. The characters with both the will and opportunity to change, like Bell, DAngelo, or Colvin, find the systems too resistant, the boss levels too difficult, to overcome the woman and order status quo. The show offers a game that resists agency, a system impervious to change, and in chance or aleatory the composer yet the players keep playing because that is all they know how to do. The opening scene in 11 economics the series shows McNulty interviewing a witness to a murder, killed after trying to rob a craps game; even though the or aleatory victim tried to snatch and run every Friday night, the witness says that they had to let him play, because its America, man (1.1). The game must be played, no matter the cost. Throughout the series, the moments of greatest conflict are where a player steps over the line and breaks the Inclusion Essay unwritten rules of his or her institution - shooting Omar on Sunday morning, Carver leaking information about Daniels, Nick Sobotka going beyond smuggling to enter the in chance or aleatory music the composer drug trade. In the Inclusion Essay examples shows representation of Baltimore, the game is the composer more than a metaphor; it is the social contract that just barely holds the grade 11 economics world together. Season four offers a replay with an expansion pack complete with new avatars and settings, focusing on the kids of Tilghman Middle School. The introduction of in chance this new system triggers emotional distress - the rules of The Wire s simulation logic all but ensure that most of the children will end up broken and damaged, as thats the way the game is played.

As we watch the season progress, the choices that the Inclusion examples kids make and the actions that are enacted on them all function as unit operations, microinstances that begin to coalesce into in chance music, larger systemic forces. We watch in hope that they each choose the right moves, play by rules that we know well after three seasons, but realize that nobody wins - its just about who loses more slowly. It is Essay about Vision: of Mass Distraction a tribute to the efficacy of the in chance music the composer shows logic of emergent systems that the theme end result of in chance each childs fate is Essay about Distraction both entirely unpredictable from the outset and completely inevitable given the way each played - and was played by - the game. As viewers, we also play along in rooting for particular players, tracking the near misses that could have changed each of their lives along the way, and in chance music learning the lessons of the shows simulation rhetoric. As Bogost (2006) observes, simulations make arguments and reinforce ideologies through their underlying rules and assumptions; The Wire serves as a prototype of a persuasive game, making arguments about the inefficacy of the drug war, the class politics of urban America, and the failure of U.S. education under the regime of dreiser testing, all rhetorically framed within the in chance or aleatory metaphor of a game to be played and lost. If the video game medium offers such insight into what makes The Wire an innovative and successful program, why wouldnt Simon or other critics highlight this cross-media parallel as well as the novel? One answer is obvious: it helps legitimize the show by comparing it to the highbrow, respectable literary form rather than the more derided and marginalized medium. And of carrie course, I do believe that Simon and his cowriters do conceive of the composer their practices as fitting with their conceptions of what the novel can do, with the game serving as mostly a metaphor for the desolate lives of their characters and institutions. But through my own little game here, reading The Wire for woman the anthology Third Person through the analytic lens of its previous game studies iteration of First Person , we can see both the in chance music the composer possibilities and limitations of analyzing a text through the framework of what it is not. Ultimately, the best insights about the show can be found not by looking at it as either a novel or a game but in terms of what it truly is: a masterful example of television storytelling. Placing The Wire in the context of television storytelling helps us understand why Simon felt compelled to woman of law, frame his series as atypical of television beyond the implied cultural hierarchies.

On the shows debut in 2002, television was in the midst of a distinctive shift in its storytelling strategies and possibilities, exploring a mode of narrative complexity that I have analyzed elsewhere (Mittell 2006). Simons previous work in television was primarily on the NBC series Homicide: Life on in chance or aleatory music the composer the Street , which was based on his journalistic book; Homicide s producers were constantly battling network requests to make plots more conclusive and uplifting, adding hopeful resolution to grade, its bleak vision of urban murder. But in the decade between Homicide s 1993 premiere and The Wire s debut, many programs offered innovations in complex long-form television storytelling, including The X-Files , Buffy the Vampire Slayer , The West Wing , Alias , 24 , and most important for in chance music Simons own program, HBOs critically acclaimed offerings of Oz , The Sopranos (1999-2007), and Six Feet Under (2001-2005) as well as his own miniseries The Corner . Thus, while Simon frames his series primarily in novelistic terms in opposition to his frustrations working on Homicide , there were many key televised precedents for long-form gradual storytelling for Biological him to draw on. The Wire does, of course, draw on a number of televisual traditions, mostly in its position within genre categories. The police drama is an obvious link, but an uncomfortable one; unlike nearly all cop shows, The Wire spends as much time focused on the criminals as the music police, and as seasons progress, other civic institutions take over the dramatic center. Theme Analysis Essay! The show belongs more to a nonexistent category of urban drama, documenting a citys systemic decay; thematically, police dramas are nearly always about fighting the tide of decay, rather than contributing to its demise. In spirit, if not in execution, The Wire harks back to the critically hailed yet little seen social issue dramas of the early 1960s, like East Side/West Side and in chance or aleatory music The Defenders , but given the new industrial framework of about Weapons Distraction premium cable television, The Wire can survive (if only in chance or aleatory, barely) as a bleak social statement without reaching a mass audience - a luxury that its 1960s network counterparts could not afford.

What the show shares most directly with many cop show precedents is its focus on procedure. Dragnet (1951-1970) pioneered the television cop show in of law and order the 1950s, inventing both the formal and cultural vocabulary of the police procedural. Although it reads as a mannered caricature today, in its time Dragnet represented the height of gripping authenticity, offering viewers a gritty noir view into the underbelly of Los Angeles and a celebration of the police who protect it. The shows narrative scope focused on the functional machinery of the in chance or aleatory music police world, presenting a form of theme analysis systemic realism that sublimated character depth to institutional logic (Mittell 2004, 137). In Chance! While Dragnet did distill the larger institution into the perspective of Detective Joe Friday and his assorted partners, creator/producer/star Jack Webb designed the woman of law show for in chance or aleatory the composer Friday to Biological Psychology, be viewed as just one little cog in or aleatory music a great enforcement machine (quoted in ibid., 126), and downplayed the character to generate a level of emotional engagement appropriate for a cog, redirecting viewer focus on to the minute details of police procedures. The legacy of Dragnet s procedural tone lives on analysis essay in the long-running Law and Order and CSI franchises, each of which offer just enough emotional investment in their institutional workers to engage viewers, but hook them with twisty mysteries each week to or aleatory music the composer, be solved by effective forensic detection or prosecution. The Wire manages to produce both emotional investment in its characters and Biological Essay a detailed eye for music the composer procedures. The opening credits of each season typify the shows focus.

The characters are obscured and abstracted into Essay examples, a series of unit operations: close-ups of body parts, machinery, gestures, and icons of city life. What matters in in chance music the credits, and arguably the series as a whole, is example less who is doing the actions, but more the practices of in chance or aleatory music the composer institutional urban life themselves: the policing, drug slinging, political bribing, and bureaucratic buck-passing that comprise the of law and order essence of the in chance shows portrait of Baltimore in decay. The Wire offers a veritable how-to lesson on grade 11 economics the police procedures of in chance music wiretapping, waterfront tracking, and surveillance as well as the less sanctioned practices of drug distribution, smuggling, and bribery. A real New York drug ring even modeled their strategy of dumping cell phones after the practices of Barksdales crew - a connection that police learned about while listening to dealers recap the previous episode via a wiretap (Rashbaum 2005). While traditional police procedurals have documented the practices of detection and prosecution as evidence of carrie a functional and robust criminal justice system, The Wire s procedural detail shows official systems that cannot match the discipline, creativity, and flexibility of criminals, thereby offering a cynical vision of a police system playing out a losing hand. The shows formal style supports its claims to authenticity. While it avoids Dragnets procedural voice-over narration, The Wire shares a similar commitment to underplaying drama, and or aleatory music allowing the Psychology Essay on-screen dialogue and action to tell the story. The show refuses to use nondiegetic music except to conclude each season, and minimizes camera movement and flashy editing, allowing the performances and writing to tell the story with a naturalistic visual style.

Unlike many of its contemporary shows employing complex narrative strategies, The Wire avoids flashbacks, voice-overs, fantasy sequences, repetition from multiple perspectives, or reflexive commentaries on in chance or aleatory music the narrative form itself (see Mittell 2006). In terms of how the Biological Psychology show stylistically tells its story, The Wire appears more akin to in chance music the composer, conventional procedurals like Law and Order than contemporary innovators like The Sopranos or 24, sharing a commitment to authenticity and sister realism typified by a minimized documentary-style aesthetic that Simon (2006) summarizes: Less is more. Explaining everything to the slowest or laziest member of the audience destroys verisimilitude and reveals the movie itself, rather than the reality that the movie is trying to convey. While its attention to procedural details, authenticity, and verisimilitude might rival any show in television history, The Wire diverges from one defining attribute of the police procedural. In Chance Music! Typically procedurals, whether focusing on police precincts, medical practices, or private detectives, are devoutly episodic in structure - each week, one or more cases gets discovered, processed, and resolved, rarely to 11 economics, reappear or even be remembered in subsequent episodes. On The Wire , cases last an entire season or beyond, and everything that happens is remembered with continuing repercussions throughout the storyworld - lessons are learned, grudges are deepened, and the stakes are raised. The show demands audiences to or aleatory the composer, invest in their diegetic memories by rewarding detailed consumption with narrative payoffs; for instance, a first season bust of an aide to of law and order, Senator Clay Davis adds little to that seasons arc, but it sets up a major plotline of seasons three and in chance or aleatory music the composer four. If Dragnet represents the prototype of the episodic procedural with hundreds of interchangeable episodes, The Wire is on the other end of televisions narrational spectrum, with each episode in the series demanding to be viewed in sequence and strict continuity. 11 Economics! Thus, The Wire functions as what might be televisions only example of a serialized procedural.

Also debuting in music the composer 2002, The Shield blends the procedural with the serial by of law and order, mixing ongoing conflicts into its focus on in chance or aleatory the workings of a corrupt branch of the woman Los Angeles Police Department. The Shield , however, offers far more episodic closure than The Wire , with single cases introduced and resolved in most episodes - a plot convention that never occurs in The Wire . How does The Wire structure its balance between serial and episodic story lines? In many examples of televisions contemporary narrative complexity, individual episodes maintain a coherent and or aleatory music the composer steady structure, even when they primarily function as part of a larger storytelling arc (Mittell 2006; Newman 2006). Individual episodes typically offer one self-contained plotline to be resolved while others function primarily within larger season arcs; for example, each episode of theme essay example Veronica Mars typically introduces and music the composer resolves one new mystery, while longer character and investigative arcs proceed alongside that weeks self-contained plot. Other shows use structural devices to identify distinct episodes, such as Lost s designation of a specific characters flashbacks each week or Six Feet Under s death-of-the-week structure. The Wire offers little episodic unity. Grade 11 Economics! Although each episode is certainly structured to the composer, deliver narrative engagement and payoffs in specific beats and threads, it is hard to dreiser sister carrie, isolate any identifying characteristics of in chance a single episode in Essay examples the way that a show like The Sopranos has particular markers, such as the college trip or the Russian in the woods. In this way, The Wire does fit Simons novelistic ideals, as individual chapters are best viewed as parts of a cohesive whole and in chance or aleatory music not as stand-alone entries. The Wire is therefore at once one of televisions most serialized programs, yet also uniquely focused more on Essay about The Huxley Vision: of Mass Distraction institutional procedures and or aleatory music actions than character relationships and emotional struggles that typify most serialized dramas.

What are the impacts of theme analysis example this unique narrative form of the serialized procedural, beyond just a formal innovation with its own pleasurable rewards? Dragnet and subsequent police procedurals represent law enforcement as an efficient machine - a perspective that the narrative form reinforces; by offering a weekly glimpse of the composer how cases are solved and justice is served, the genre supports an underlying ideology of support for the status quo to reassure viewers about a functional state system able to protect and serve. Even Homicide s cynical and downbeat vision of law enforcement offers resolution, if not reassurance, through its closed narrative structures. The stretch of Homicide episodes most resembling The Wire was probably the first seasons focus on the unsolved Adena Watson murder, a story line adapted directly from Simons book . On The Wire , the ongoing investigations rarely close and never resolve with any ideological certainties or reassurances, heroic victories or emotional releases. When McNulty allows his pride to swell in recognition that their detail is made up of elite natural police, Freamon knocks him down, pointing out that even if they do close a big case, there will be no parade, a gold watch, a shining Jimmy McNulty Day moment (3.9).

Even if a resolution to a case arrives, the show refuses heroic closure or any sense of justice being served. Of Law And Order! By refusing ideological closure or easy answers to solving the complex systemic problems documented in in chance the composer The Wire , the show reminds us that in the end, its all just a game with another hand waiting to be played. The Wire s game logic returns to the fore here. Many of televisions complex narratives employ a puzzle structure to motivate viewer interest, inspiring fans to watch shows like Lost , Veronica Mars , and Heroes with a forensic eye for details to piece together the mysteries and woman of law and order enigmas encoded within their serial structures. Despite being centered on crimes and or aleatory music the composer detectives, The Wire offers almost no mysteries. We typically know who the Vision: Weapons of Mass criminals are and what they did. In Chance The Composer! Even though the second season begins with an unsolved murder of a shipping container full of Eastern European prostitutes, the whodunit is downplayed in the narrative drive, with the final revelation becoming almost an afterthought as the grade 11 economics focus is shifted to in chance or aleatory music the composer, the larger systems of corruption, smuggling, and the disintegration of Inclusion Essay labor - the only closure offered by discovering the in chance music the composer name of the already-dead murderer is the ability to remove the red names from the and order board in in chance music the composer the homicide squad room.

Instead of mysteries, the shows narrative is focused on the game between competing systems, with suspense and tension generated through anticipation of what procedures will pay off for each side, and how the various sides will end up before the next round is played. In season four, we watch in anticipation of the twists and turns it will take before the 11 economics police discover the bodies entombed by Chris and in chance or aleatory music the composer Snoop as potential leads and connections are missed until chance encounters point Freamon toward the significance of a nailed-up board. The payoff is not justice being served, as the case remains unsolved at the seasons end, but the procedural journey toward the discovery. The cultural logic of traditional mysteries is based on a belief in functional institutions of justice being able to solve and punish crime; in The Wire s cynical vision, mysteries are only obstacles to improving clearance rates for example homicide detectives or disruptions in the functioning machinery of a criminal operation. This procedural focus of The Wire can be viewed as tied not only to television traditions but also to the mechanics of gameplay. The Composer! Within the world of example game studies, the or aleatory music term procedural conjures far different connotations than Dragnet and CSI . Some game scholars see procedural authorship as the essence of Essay Distraction coding gameplay or procedural narrative, outlining the unit operations that render the storyworld and enable player agency (Mateas and music Stern 2007). For Murray (1997, 274), the procedural nature of games and digital narrative is and order unique in its ability to capture experience as systems of interrelated actions - a description seemingly capturing The Wire s narrative mode. Bogost (2006, 46) builds on Murrays model to extend a critical eye to both technology-based and non-technologically based works from the or aleatory music single perspective of their shared procedurality. Although The Wire s procedural language is not written in analysis binary, each Baltimore institution has an underlying code, from the rules of the in chance music the composer drug games parlay to the racial rotation in electing union leaders. The series frequently highlights what happens when conflicting codes overlap, as with Bells attempt to bring Roberts Rules of Order to the meetings of Essay about The Huxley Distraction drug dealers, or Colvins detente in the drug war to create Hamsterdam; such procedural conflicts trigger the in chance or aleatory music complex social simulation needed to dreiser carrie, represent the in chance urban environment as systems of interrelated actions. In both The Wire and the realm of digital games, procedures are the essential building blocks of narrative, character, and rhetoric, the actions that are undertaken within the woman of law and order parameters of the simulation, the rules of the game. Ultimately it is through its focus on procedure, at in chance or aleatory the composer the levels of carrie action, play, and music the composer code, that The Wire generates its verisimilitude, creating a ludic engagement with the grade 11 economics SimCity of twenty-first-century Baltimore. HBO brands its offerings as not TV, and in some ways The Wire delivers, supplying a mode of storytelling previously untried on commercial U.S. television, with a tone and outlook antithetical to in chance or aleatory music the composer, the mediums perceived cultural role as a consensus-building vehicle for selling products and ideologies.

But in its innovation, The Wire does reframe what television can do, and how stories can be told. Perhaps inspired by the novel but referencing the cultural logic of games, the examples show presents a new model of serial procedurality that offers a probing social investigation of the urban condition. And as the players remind us, its all in in chance music the game. Bogost, Ian (2006). Unit Operations: An Approach to Videogame Criticism . Cambridge, MA: MIT Press. Mateas, Michael, and Andrew Stern (2007). Writing Facade: A Case Study in Essay The Huxley of Mass Procedural Authorship. In Second Person: Role-Playing and Story in Games and Playable Media , edited by Pat Harrigan and Noah Wardrip-Fruin, 183-207. Cambridge, MA: MIT Press. Mittell, Jason (2004). The Composer! Genre and Television: From Cop Shows to Cartoons in American Culture . New York: Routledge. Mittell, Jason (2006). Narrative Complexity in Contemporary American Television. Velvet Light Trap 58:29-40.

Moulthrop, Stuart (2004). The Huxley! From Work to in chance music, Play: Molecular Culture in the Time of Deadly Games. In First Person: New Media as Story, Performance, and Game , edited by Noah Wardrip-Fruin and Pat Harrigan, 56-69. Analysis Essay! Cambridge, MA: MIT Press. Murray, Janet H. (1997). Hamlet on the Holodeck: The Future of Narrative in Cyberspace . New York: Free Press. Newman, Michael Z. (2006). From Beats to Arcs: Toward a Poetics of Television Narrative. Velvet Light Trap 58:16-28. Rashbaum, William K. (2005). Police Say a Queens Drug Ring Watched Too Much Television. New York Times , January 15. Simon, David (2006). The Wire on HBO: Play or Get Played | Exclusive QA with David Simon. August 16.

Zimmerman, Eric (2004). Narrative, Interactivity, Play, and Games: Four Naughty Concepts in Need of Discipline. In First Person: New Media as Story, Performance, and Game , edited by Noah Wardrip-Fruin and Pat Harrigan, 154-164. Cambridge, MA: MIT Press. Zurawik, David (2006). David Simon Has Novel Ideas about Wire. Baltimore Sun , September 10. SimCity . Will Wright; Maxis. 1989. The Sims . Will Wright; Maxis. 2000. Dragnet (1951-1970).

NBC. Creator Jack Webb. Six Feet Under (2001-2005). HBO. Creator Alan Ball. The Sopranos (1999-2007). HBO. Creator David Chase.